��������

This fall, the CU Boulder College of Music launched a new master’s degree in historical performance and research—the first of its kind in North America. Combining rigorous academic training with professional-level performance, the degree prepares students for doctoral study, performance and diverse other music careers.

This May, Professor of Musicology Robert Shay led a group of upper-level undergrads to Vienna, Austria, for a study abroad course titled Vienna 1900: Music, Arts & Culture. Discover where they went, what they learned and how the experience expanded their worldview!

When Taylor Howard dove into the Sister Mary Dominic Ray Collection, she was expecting to find the nun’s biography, books she annotated or articles she wrote. Instead, she unlocked a highly varied collection of documents that left Sister Mary—who founded our American Music Research Center—a mystery.

When Joy Yamaguchi graduates from our College of Music next week with a Doctor of Musical Arts degree, the work she started here will continue. “Completing this degree has helped me realize my strength and solidify my focus as a multifaceted artist,” she shares.

Assistant Professor of Music Theory Leah Frederick will join the College of Music in fall 2024.

This year marks a milestone for Professor of Musicology Carlo Caballero who—along with his academic partner Stephen Rumph, professor of music history at the University of Washington—will co-host the Fauré Centennial Festival in Boulder, Feb. 27-March 3.

Associate Professor of Music Theory Steven Bruns and the late, renowned composer George Crumb shared a close, long-lasting professional relationship and a deep friendship that began in 1992. As Bruns nears retirement this spring, he reflects on his role as Crumb’s archivist and biographer.

Alumnus Dylan Fixmer’s variegated and prolific career aims to inspire empathy and advance community engagement.

In a campus and community collaboration, we’re looking forward to an exciting residency featuring two outstanding artists–renowned klezmer violinist Alicia Svigals and celebrated silent film pianist Donald Sosin.

When it comes to 20th- and 21st-century music, Professor of Music Theory Daphne Leong—along with her colleagues in the world of rhythm in music performance and scholarship—engages in intense research and endless experimentation which brought her to Montreal’s McGill University for a recent residency.