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Dan Carlin Is the Ultimate Time Traveler
Dan Carlin (Histâ89) is 4 minutes and 41 seconds into an episode of hisĚýHardcore History podcast when he pauses to catch his breath. Alexander the Great has just watched his father, King Phillip II, get assassinated. Itâs a milestone moment that Carlin likens to the 9/11 attacks, where anyone watching knew in those terrifying moments that everything would change.
Beyond the walls of his podcasting studio, Carlinâs millions of listeners wait expectantly at the edge of their proverbial seats. Was Alexander a victim, innocently watching the assassination of his royal father in the ancient Greek kingdom of Macedon? Or was Alexander a traitor who orchestrated his fatherâs death to seize the throne? Carlinâs audience ponders this question as they drive through their neighborhoods, prepare dinner in their kitchens, and jog through parks, all while listening to Carlin.
âDan Carlin is one of the worldâs greatest storytellers, and anyone who has spent any time listening to his audio, even for a few minutes, understands that this is the case,â said Clint Kisker, an entrepreneur and former president of MWM Interactive, an entertainment company that has collaborated with Carlin.
A trailblazer in the podcasting space, Carlin was part of the early crowd of people in 2005 to tell stories about history via the Internet in an audio format. In the 20 years since, more than 100 million people have tuned into his tremendously popular shows. InĚýCommon Sense, Carlin, a self-described politically independent pragmatist, looks at events shaping the world.ĚýHardcore History delves into riveting historic moments, andĚýHardcore History: Addendum features interviews and material that donât make it into the main program.
For Carlin, whoâs disarmingly gregarious and humble, a knowledge of history and its cast of characters is essential for understanding the present moment. Moreover, he said it enables us to see how groups of human beings tend to behave, especially under pressure.Ěý
âLife, as someone once said to me, is like living inside a television soap opera,â Carlin recalled. âIf you donât go back and watch the previous episodes, youâll never understand whatâs going on â or why â in the story currently.â


Path to Podcasting

In his 20s, Carlin worked in broadcast television in Los Angeles before moving to Oregon and becoming a television reporter, then a radio show host. But when the tech version of the Gold Rush began in the late 1990s, he and five friends formed a startup. The goal was to launch a novel product â amateur content made by the public and hosted on a platform. It would have been something like what YouTube turned out to be. After he left the startup, what Carlin eventually produced was a podcast, but it wasnât recognized as such yet.
In 2004, the term âpodcastâ first appeared in print when Guardian reporter Ben Hammerstein used it to describe a new type of audio blogging that could be played on an Apple iPod. The origins of the word? A mash-up of âiPodâ and âbroadcast.â
Plunging into new territory, Carlin launched hisĚý podcast in 2005, followed byĚý a year later. The Hardcore History format is unique, even by todayâs standards.
âPodcasters doing true crime or sports entertainment are all folks who took an existing medium and adapted it to meet their needs,â Kisker said. âDan created a medium. There was no prior âDan Carlin.â It wasnât a thing.â
Each of CarlinâsĚýHardcore History episodes is an extraordinarily deep dive into a slice of history â and because he spends an inordinate amount of time researching, he only releases one to two episodes a year. Each one runs between three and five hours.
Carlinâs show takes on a conversational dimension as he doesnât prepare a written script â his storytelling style is all improv. Episodes include the famous World War II battles that shaped modern naval warfare, the Atlantic slave trade, the Asia-Pacific War of 1937â45 and the Viking sea kings of the 10th and 11th centuries.
âEvery show is on a subject Iâve been really interested in, so I have a foundation,â Carlin said. âThen I start reading, so Iâm trying to update my knowledge â whatâs true, how history has evolved and become clarified over time.â
But Carlin doesnât just regurgitate important dates on his podcasts. He uses empathy to slingshot his listeners back in time, making people like Alexander the Great fallibly human and their decisions topically relevant. In doing so, his audience stands on the sidelines of pivotal historic moments, cheering and jeering on characters they once knew only by name but now feel a personal connection to.
âEmpathy for historical personalities is vital if we want to try to see them more as three-dimensional figures rather than two-dimensional ones,â Carlin said. âPut yourself into the shoes of President Harry Truman having to make the decision about dropping atomic bombs in the Second World War. How could you even begin to assess such an event without trying to imagine yourself in his position?â
Having an empathetic understanding of the human experience is essential to help us navigate our complex world, said William Wei, one of Carlinâs CU Boulder history professors and a former Colorado state historian.
âAs historians have demonstrated since time immemorial, history functions as humanityâs collective memory and the means for understanding the consequences of human choices,â Wei said.
ĚýĚýEmpathy for historical personalities is vital if we want to try to see them more as three-dimensional figures rather than two-dimensional ones.ĚýĚý

A six-part exploration of World War I that immerses listeners in the human experience, chaos and unprecedented scale of the first modern global war.
A six-part chronicle of Japanâs rise and ruin in World War II, tracing how cultural pride, militarism and desperation led to one of historyâs most ferocious conflicts.
A look at the Eastern Front of World War II, where Nazi Germany and the Soviet Union waged a merciless fight for survival.
An exploration of the birth of the nuclear age and the uneasy moment when humanity gained the power to erase itself.
A retelling of Romeâs unraveling â from civic virtue to corruption and civil war â as a republic gives way to empire.
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ĚýĚýHistory functions as humanityâs collective memory and the means for understanding the consequences of human choices.ĚýĚý
At Home in Hollywood
Carlin grew up on the edges of Hollywoodâs golden spotlight. His mother earned an Academy Award nomination for Best Supporting Actress in the 1968 film Faces. His father, Ed Carlin, was a movie producer. Carlin spent his childhood in two towns at opposite ends of the San Fernando Valley â first Toluca Lake, then Calabasas. Back then, Toluca Lake was home to celebrities like Bob Hope, Bette Davis and Frank Sinatra. Yet Carlin describes both towns asĚýBrady Bunch-type communities filled with camera operators, production folks and just regular people.

âNeither area was what it is now,â Carlin said. âNext door lived a lieutenant colonel in the Air Force. Bob Hope lived in town, but we never saw him. It didnât feel glitzy.â
Even so, it wasnât a big leap for Carlin to get highly involved in his high schoolâs improv program and plunge deeply into theater classes for a brief stint at California State University, Northridge. And when he decided to finish his studies out of state, CU Boulder felt like the right fit.
âMy dad really liked CU. He said it reminded him of UCLA in the 1950s when he was a student,â Carlin recalled. âItâs like [Coach] Bill McCartney said, âIf you get the recruits to town, theyâll come.ââ
Boulder Backstory

When Carlin arrived on campus, Coach McCartney was in his fifth season coaching the Colorado Buffaloes, finishing second in the Big 8. It was CUâs best conference record in 25 years. But you were more likely to find Carlin protesting CIA recruitment on campus and CUâs investments in South Africaâs apartheid than standing in line for football tickets. Clad in his Ecuadorian sweater purchased near the Alfred Packer Grill, Carlin pursued his passion for history, with an emphasis on military history. One of his courses was âSociology of Peacemaking,â which he joked was âa CU way of talking about the military.â
âWhen I decided to transfer to CU, none of my theater classes transferred,â said Carlin, who initially thought that it was all a wasted effort. âBut the great thing is, Iâve used the theater and history stuff every single day in my work.â
Carlin remembered the history department had a pamphlet printed on green paper titled something along the lines of, âWhat to Tell Your Parents °ľÍř˝űÇř Choosing History as a Major.â None of the professions he pursued after graduation â journalism, broadcasting and podcasting â appeared on the pamphlet. Carlin addressed this discrepancy in 2020 when he served asĚý.
âCU gave me the skills to put myself in a position to be offered these gigs,â he told the graduates. âAnd [it gave me] the knowledge, not the specific knowledge about how to do those jobs â after all, I didnât study journalism, broadcasting or podcasting in school â but CU gave me the lifelong ability to know how to keep learning.â
Illustrations by MarĂa JesĂşs Contreras

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ĚýĚýCU gave me the lifelong ability to know how to keep learning.ĚýĚý
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